This bronze sculpture is Jacob Wrestling with the Angel by Don Saco.
It is 19 inches high and done in bronze.
I love the amazing movement that he gets in this piece. The Angel seems to be suspended in mid-air--it is easy to forget he is attached to Jacob's arms.
I also love the way Jacob is caught off-balance by his wrestling. Faith is not a carefree thing to navigate and we all have our periods of wrestling with God--asking questions--and feeling off-balance. Saco captures this feeling perfectly in this sculpture.
Showing posts with label Art and Beauty Tuesday. Show all posts
Showing posts with label Art and Beauty Tuesday. Show all posts
Tuesday, October 16, 2012
Tuesday, July 31, 2012
Art and Beauty Tuesday
Here is another mosaic from the Basilica in Washington, DC. This one is also from the Lithuanian chapel and is part of a larger collage of images representing the immigration of Byzantine Christians to the U.S.
Here, the mosaic portrays steel being poured, which represents Pittsburgh. Having family ties there, I had to get a picture of this!
Here, the mosaic portrays steel being poured, which represents Pittsburgh. Having family ties there, I had to get a picture of this!
Tuesday, July 24, 2012
Art and Beauty Tuesday--Basilica in Washington DC

The blues and greens blend beautifully and the triangular pine cones are reminiscent of the Trinity.
Tuesday, May 01, 2012
Art and Beauty Tuesday--Lee Hodges

The Good Shepherd is not just an gently idealized pastoral shepherd. No--he lays down his life for the sheep; and sheep are stupid animals.
When I think about this, I realize how amazing Jesus' death really was. He laid down his life for us. The longer I live on this earth, the more I realize that we, like sheep, are "stupid animals"; yet, Jesus not only loves us, he loves us so much, that he gave up his life for us.
Tuesday, April 03, 2012
Art and Beauty Tuesday--Julia Margaret Cameron
I have recently become aware of the early (19th century) photographer, Julia Margaret Cameron. When other photographers were taking stiff and formal pictures, with no nuance or art, Cameron was photographing people with amazing attention to light. Her subjects were either "stripped down", in simple clothing or dressed as believable characters, angels, Madonna and Child poses, or characters from plays.
This photograph is my favorite, of her niece, Julia. The pose, lighting and dress are amazingly modern. There is no affectation here. She looks straight into the camera without the mask of costume, or even of a smile.
Without knowing it she has used many modern photographic portraiture techniques. With only natural light available to her, her subject has what is called a "hair light"--light falling on the top of the head, on the hair. She uses what is now called "Rembrandt Lighting"--the face is in half-shadow, with, in this case, barely discernible, "Rembrandt triangle" of light seen on the cheek of the shadow side of her face. We see the important "catch-light" in her eyes--that little dot of light that makes the subject look alive.
In this example, her lack of costume or even any discernible period dress, makes her someone who could have been photographed at any time or place. She could be us.
This photograph is my favorite, of her niece, Julia. The pose, lighting and dress are amazingly modern. There is no affectation here. She looks straight into the camera without the mask of costume, or even of a smile.
Without knowing it she has used many modern photographic portraiture techniques. With only natural light available to her, her subject has what is called a "hair light"--light falling on the top of the head, on the hair. She uses what is now called "Rembrandt Lighting"--the face is in half-shadow, with, in this case, barely discernible, "Rembrandt triangle" of light seen on the cheek of the shadow side of her face. We see the important "catch-light" in her eyes--that little dot of light that makes the subject look alive.
In this example, her lack of costume or even any discernible period dress, makes her someone who could have been photographed at any time or place. She could be us.
Tuesday, March 27, 2012
Art and Beauty Tuesday--Riusuke Fukahori
Riusuke Fukahori is a Japanese artist who paints 3-dimensional goldfish in resin. Breathtakingly realistic, they are painstakingly painted layer by layer. The video below shows how he works. Hat tip to Colossal Art & Design.
Tuesday, March 20, 2012
Art and Beauty Tuesday--Barry Maguire
I love how the texture of the sheep's wool is picked up in the background grasses as the wind blows both as flat as it can. I bet this painting is even more beautiful in person.
I also noticed that the colors of this painting are the colors of the Irish flag.
Hope you all had a great St. Patrick's Day!
Tuesday, March 13, 2012
Art and Beauty Tuesday--Amanda Collins
This painting is called "Grove" by Amanda Mossmottle. I usually don't go quite this abstract, but I was struck by the color choice and frequency in this painting. The "early spring green" along with "earth brown" predominates, while the splashes of "lemon yellow" of varying sizes made me think, right away, of the daffodils that are just beginning to bloom here. This one really expresses the world in early Spring.
I've always been attracted to paintings where the paint is thickly laid on, like this one, as well.
As this painting implies, the world still looks muddy, but we are seeing the hope of Spring.
You can purchase this painting and look at her other work at her Etsy store.
Thursday, February 09, 2012
Art and Beauty Tuesday--Guerrilla Crochet
Note: I'm re-posting this guerrilla crochet to highlight the new comment by the artist! Enjoy!
I was amazed by this picture. I love the idea of street art enhancing beauty and sending a message. This one speaks to me of optimism and of sharing happiness.
I was amazed by this picture. I love the idea of street art enhancing beauty and sending a message. This one speaks to me of optimism and of sharing happiness.
Tuesday, January 31, 2012
Art and Beauty Tuesday--Manuel Panselinos
This detail from a 14th century icon of the Resurrection shows Jesus bending down and forcefully grabbing Adam's wrist, pulling him out of Hell (or the abode of the dead).
Theologian John Dominic Crossan points out that in Western Christian art, illustrations of the Resurrection often show Jesus alone, whereas in Eastern Christian iconography, Jesus is never shown alone at the Resurrection.
Why? In the East, Christ's mission and even His death is seen as one of healing and not one of appeasing an angry God.
This week we are looking at the true meaning of the Kingdom of God--one of cooperation with Christ in bringing His love into the world.
Theologian John Dominic Crossan points out that in Western Christian art, illustrations of the Resurrection often show Jesus alone, whereas in Eastern Christian iconography, Jesus is never shown alone at the Resurrection.
Why? In the East, Christ's mission and even His death is seen as one of healing and not one of appeasing an angry God.
This week we are looking at the true meaning of the Kingdom of God--one of cooperation with Christ in bringing His love into the world.
Tuesday, January 24, 2012
Art and Beauty Tuesday--Bansky
This week's theme is sarcasm and irony--where the meaning is hidden beneath the surface. Today's Art and Beauty Tuesday comes from Leake Street in London and is done by the street artist Banksy. The image below is of a man spraying over the ancient "graffiti" found in a French cave--one of the oldest works of art ever found.
In "cleaning up" the "graffiti", the man is really painting over a precious work of art, and, thus, the unexpected nature of irony. Even our best intentions sometimes fall short of the mark.
In "cleaning up" the "graffiti", the man is really painting over a precious work of art, and, thus, the unexpected nature of irony. Even our best intentions sometimes fall short of the mark.
Monday, January 16, 2012
Art and Beauty Tuesday--Ria Hills
This painting, called "Marge", by Ria Hills is one of a series called "Fractured" that Hills has painted of residents of her mother's nursing home.
I love how she uses separately painted blocks to illustrate both the fractured nature of Alzheimer's and the individuality of each resident.
When I first saw this painting, I felt I knew this woman--that's how much of her personality came through. When I found out she, like my own mother, suffers from Alzheimer's, I was even more drawn to it.
I found this painting on Daily Painters of Massachusetts. Hills also has some beautiful paintings on her own blog.
I love how she uses separately painted blocks to illustrate both the fractured nature of Alzheimer's and the individuality of each resident.
When I first saw this painting, I felt I knew this woman--that's how much of her personality came through. When I found out she, like my own mother, suffers from Alzheimer's, I was even more drawn to it.
I found this painting on Daily Painters of Massachusetts. Hills also has some beautiful paintings on her own blog.
Tuesday, January 10, 2012
Art and Beauty Tuesday--Dianne Mize
Ready to Leap by Dianne Mize is a beautifully complex painting of a white squirrel on a tree. As is true in nature, Mize uses many different colors to express the white fur of the squirrel. We see blue-greys and orange-yellows along with white highlights. Each color group stands out in obvious brush strokes, while at the same time, being softly blended.
The orange-yellow on the squirrel is picked up in the background foliage to the right, along with a spring green which we also see on the tree trunk.
All this color-sharing serves to further soften and blend the image into the background in a delightfully diffused way.
Tuesday, January 03, 2012
Art and Beauty Tuesday--Street Art Utopia
I love this picture from Street Art Utopia. Trees made into colored pencils. Doesn't it make you want to pick up one and start drawing? I love the creativity of Street Art. This one made me think of our ability to create and make our own worlds through art.
Make your own world in this new year of 2012!
Make your own world in this new year of 2012!
Tuesday, December 27, 2011
Art and Beauty Tuesday--Neapolitan Presepio
Today's Art and Beauty Tuesday is all about the Neapolitan Creche a craft turned high art in Baroque Naples, Italy. The three dimensional figures are hand sculpted from terracotta, painted and "dressed" with luxurious fabrics.
Details in the manger scenes include local scenes such as butchers, shoe makers and fruit sellers.
You can see these in the U.S. at the Carnegie Museum of Art in Pittsburgh, St. John the Evangelist Cathedral Museum in Louisiana, the Abbey of Regina Laudis in Connecticut, and at St. John oantius Parish in Chicago.
You can find out more information on these beautiful works of art by visiting Napoli Unplugged.
Details in the manger scenes include local scenes such as butchers, shoe makers and fruit sellers.
You can see these in the U.S. at the Carnegie Museum of Art in Pittsburgh, St. John the Evangelist Cathedral Museum in Louisiana, the Abbey of Regina Laudis in Connecticut, and at St. John oantius Parish in Chicago.
You can find out more information on these beautiful works of art by visiting Napoli Unplugged.
Tuesday, December 20, 2011
Art and Beauty Tuesday--The Nativity of Our Lord
I am re-running this Art and Beauty Tuesday post from last year since I have been getting some new comments on it.
Icons of the Eastern Church go a long way in explaining the theology behind a particular Feast Day. The Feast of the Nativity has become so commercialized that even when we think we know about the theology behind Christmas, there is always more to explore.
In the center we see a star. I think we know innately from the representation, that this is *the* star. It seems to encompass many stars together, which, interestingly, is one theory on how the star of Bethlehem occurred. The sky is gold, showing the Divinity that is present. We see the angels guiding both the magi and the shepherds, for it is God who sent the star and God who sends His messengers to each person in the Nativity story.
We notice in the center, that Jesus was born in a cave, not a barn the way we think of it today. These caves were the home of the livestock and animals. The inns were often built over the caves, using the heat of the animals to heat the building above.
Two things are apparent about St. Joseph. The first is, he is shown on the lower left of the picture, away from Mary and Jesus, who are the true center of the Nativity story. Joseph is shown "entertaining doubt", represented by an old man. Joseph has a halo. He is holy and ultimately listens to God's direction. But he doubts. He has difficulty accepting what is occurring. His position away from the Mother and Child also shows that he is not the biological father of Christ. That is the Holy Spirit.
Joseph is also shown as a grey haired older man. It has been known from ancient times that Joseph and Mary were not a "couple" in the traditional sense. Tradition, both in the East and West, says that Joseph was an older man, possibly a widower, who may have been Mary's guardian. When Mary was too old to serve in the Temple, [i.e., after the ritual impurity associated with menstruation] Joseph was said to have become betrothed to her as a means of continuing that legal guardianship. His concern and doubts regarding her pregnancy take on a new urgency in light of this type of relationship.
On the bottom right of the icon, we see midwives bathing the newly born Christ. This reminds us that Jesus was born as all men are and needed care as any helpless infant would.
If we peel back another layer, we see an even deeper symbolism in the Nativity Icon. The cave in which Christ is born is the same type of location as the cave from which He is resurrected. Jesus was wrapped "in swaddling cloths" which echo the burial cloths that He is wrapped in after death.
The washing of the infant Christ from the midwives is a reminder that He will submit to baptism by John the Baptist at the beginning of His earthly ministry.
So many of us have lost so much of the Christmas Story--in fact, of the entire story of Christ. So many of us have forgotten, or have never been taught, the endless richness that is in Scripture.
Let us never stop searching for continued meaning in our spiritual tradition.
Icons of the Eastern Church go a long way in explaining the theology behind a particular Feast Day. The Feast of the Nativity has become so commercialized that even when we think we know about the theology behind Christmas, there is always more to explore.
In the center we see a star. I think we know innately from the representation, that this is *the* star. It seems to encompass many stars together, which, interestingly, is one theory on how the star of Bethlehem occurred. The sky is gold, showing the Divinity that is present. We see the angels guiding both the magi and the shepherds, for it is God who sent the star and God who sends His messengers to each person in the Nativity story.
We notice in the center, that Jesus was born in a cave, not a barn the way we think of it today. These caves were the home of the livestock and animals. The inns were often built over the caves, using the heat of the animals to heat the building above.
Two things are apparent about St. Joseph. The first is, he is shown on the lower left of the picture, away from Mary and Jesus, who are the true center of the Nativity story. Joseph is shown "entertaining doubt", represented by an old man. Joseph has a halo. He is holy and ultimately listens to God's direction. But he doubts. He has difficulty accepting what is occurring. His position away from the Mother and Child also shows that he is not the biological father of Christ. That is the Holy Spirit.
Joseph is also shown as a grey haired older man. It has been known from ancient times that Joseph and Mary were not a "couple" in the traditional sense. Tradition, both in the East and West, says that Joseph was an older man, possibly a widower, who may have been Mary's guardian. When Mary was too old to serve in the Temple, [i.e., after the ritual impurity associated with menstruation] Joseph was said to have become betrothed to her as a means of continuing that legal guardianship. His concern and doubts regarding her pregnancy take on a new urgency in light of this type of relationship.
On the bottom right of the icon, we see midwives bathing the newly born Christ. This reminds us that Jesus was born as all men are and needed care as any helpless infant would.
If we peel back another layer, we see an even deeper symbolism in the Nativity Icon. The cave in which Christ is born is the same type of location as the cave from which He is resurrected. Jesus was wrapped "in swaddling cloths" which echo the burial cloths that He is wrapped in after death.
The washing of the infant Christ from the midwives is a reminder that He will submit to baptism by John the Baptist at the beginning of His earthly ministry.
So many of us have lost so much of the Christmas Story--in fact, of the entire story of Christ. So many of us have forgotten, or have never been taught, the endless richness that is in Scripture.
Let us never stop searching for continued meaning in our spiritual tradition.
Tuesday, December 13, 2011
Yesterday was a very important feast day for the Hispanic community--Our Lady of Guadalupe. This painting by Stephen B. Whatley is full of the gorgeous colors so popular in that community. The are mostly primaries, occasionally combining to form purple and green and burst forth from Mary in a joyful way that reminds us of the joy of those who celebrate this feast day.
To purchase the original, click here.
To purchase the original, click here.
Tuesday, December 06, 2011
Art and Beauty Tuesday--Karen Margulis
Purple Mountain Majesty by Karen Margulis spoke to me of meeting expectations while still "coloring outside the lines", of the mountains and valleys of Advent, both majestic and ordinary. I loved her energetic, painterly--almost abstract--style.
Tuesday, November 22, 2011
Art and Beauty Tuesday--Brenda Thour
Follow Your Heart by Brenda Thour is a bright and cheery abstract painting. Using lots of primaries as well as hearts and flowers, Thour used a paint knife for parts of this painting. The colors of the heart burst out and splash across the page while the blue in the flowers mixes in with the various blues that float across the background. The splash of white and black in the upper right corner is reminiscent of a smudged yin/yang.
Ms. Thour sells her work on Etsy and lives in Minneapolis, MN.
Tuesday, November 15, 2011
Art and Beauty Tuesday--Risk
I don't know who did this painting, but I found it online tagged with the category, "Risk". The young girl is looking at what appears to be a log in the water. Will it support her? Will she reach the other side? It is indeed a risk.
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Dymphna's favorite quotes
"Slavery ended in medieval Europe only because the church extended its sacraments to all slaves and then managed to impose a ban on the enslavement of Christians (and of Jews). Within the context of medieval Europe, that prohibition was effectively a rule of universal abolition. "— Rodney Stark